For about 10 years, she’s been a standout in supporting roles and ensemble casts — playing Johnny Cash’s ex in Walk the Line, date-challenged Gigi in He’s Just Not That Into You, and, most famously, sunny third wife Margene in HBO’s just-wrapped polygamy drama Big Love. But with her new movie, the romantic comedy Something Borrowed (out May 6), Ginnifer Goodwin, 32, finally emerges as the marquee star. “I’ve definitely never worked so much over the course of shooting — I was in almost every single scene!” Goodwin says, calling from her home in Los Angeles on very little sleep. Being the main attraction, of course, means sticking to an unrelenting, cross-country promotional schedule — but in the days leading up to her movie’s big Hollywood premiere, Goodwin carved out some time for photographer and LIFE.com editor-at-large Jeff Vespa, inviting him inside her home and her glamorous work. Here, exclusive photos of the actress — who reveals her obsession with costar Kate Hudson’s belly, the origins of that coveted pixie haircut, and her unfiltered opinions about the questionable heroine she plays in Something Borrowed. Check out the full gallery on LIFE.com.
Of the many celebrities LIFE magazine featured in the 1950s and ’60s, Sophia Loren was a standout and a photographers’ favorite. She was the subject of seven cover stories and countless more inside spreads, always exuding supreme confidence, beauty, elegance, and a passion for la dolce vita. Those enviable qualities famously caught the eye of LIFE lensman Alfred Eisenstaedt decades ago — and today they captivate LIFE.com editor-at-large Jeff Vespa, who had the honor of photographing the actress, still stunning at 76, during her most recent stay in Los Angeles. In the States to visit her sons and to attend an Academy-hosted tribute to her career — she won the Oscar nearly 50 years ago, for her heart-wrenching turn in Two Women — Loren graciously let LIFE into her world once more. . .
Check out the full gallery on LIFE.com.
Check out the full gallery on LIFE.com.
by Julie Jordan – Photos by Jeff Vespa
“I felt my heart literally open up for the first time and like wrap itself around her. It was profound,” Applegate, 39, tells PEOPLE in this week’s cover story. “And I’m more in love with her every minute of the day.”
Back home in the L.A. house she shares with musician fiancé Martyn LeNoble, 41, Applegate has been relishing motherhood. “I want to be the ultimate burper and diaper-changer, I want to be the ultimate at all of it,” she says.
“Sometimes I stand there going, ‘I’m not doing any of this right!’ And then I get this big man belch out of her and I go, ‘Ah, we accomplished this together.’ ”
“I’ve had to talk about that word [cancer] more than I’ve ever had to talk about a word in my life,” she says. “After a while you’re like, ‘There’s got to be something else to me.’ ”
Daughter Sadie has now given Applegate a new word to focus on: Mom.
“Yeah, now I’m Mom. She’s healed me in so many ways,” says the actress. “She’s just made my life so much better. She’s opened my whole soul.”
Check it out on People.com.
When the winter winds blow cold outside but you’re already part of the way through Hollywood awards season, you know it’s that time of year again — Sundance Film Festival time. This year, the stars of Sundance are once again getting the LIFE treatment, captured through the lens of photographer Jeff Vespa at his on-site studio. Here: Ed Helms bundles up. Check in daily for more pics of stars getting their kicks in Utah. Check out the full gallery by clicking here.
Here is an excerpt from an article published on curatormagazine.com about my burger series of photographs.
By Megan Fizell
Published on November 12, 2010
It is within the context established through Schlosser, the nostalgic tones of the 1950′s visual aesthetic in theBurger Series (Figure 4) by Jeff Vespa, can be understood. Vespa visited the fast food joints around Los Angeles in order to recreate the out-dated stock images found on laminated menus in the diners across America. Hamburgers were only purchased from restaurants where the consumer was required to order at the counter, brought back to Vespa’s studio and styled to present all of the ingredients in the sandwich to the viewer. The images were shot with a Polaroid camera, one photograph of each burger, each an original artwork. The idea of originality is in direct contrast to the subject of Vespa’s work. The fast food restaurants from which the hamburgers were sourced standardized every aspect of production — from the diameter of the patty, to the exact amount of ketchup and mustard. This enabled the company to manufacture and assemble — not typical verbs associated with food production– the same product in every restaurant. By using the Polaroid camera, Vespa references the Pop art movement because “the image is instantly recognizable and when you see so many in repetition it reminds you of Warhol.” For the viewer, the vintage medium presents the appetizing hamburger so that it is easy to visually consume and recalls faded childhood photographs, highlighting our latent juvenile desires.
Read the whole article on curatormagazine.com here. – curatormagazine.com – Fast Food through the Lens of Still Life Photographers
From Eater.com by Kat Odell – Bossa Nova’s Beverly Hills outpost recently shuttered, some were happy, some were sad, some didn’t even know it existed. Well, put this one on your radar: Pici (prounced pee-chee), a new old school (yes, new old school) rustic Italian eatery taking over the space named after the pici pasta shape, a long hand-rolled tube that looks like a skinny stretched out corissant. Construction is just about to being on the project helmed by Jeff Vespa (co-founder of WireImage) and Chef J, aka Jason Harley formerly of BlackSteel which then became Shereen Arazm’s Parc on Hollywood Blvd. The restaurant changed, the chef did not.
After a nine month search, Jeff and J (J&J) decided on the smallish Beverly Drive location and have hired Kris Keith/Spacecraft to spin the space into a Godfather-inspired eatery. For real. When designing the interior, J&J referenced that scene inGodfather I, the first time Al Pacino shoots someone, which takes place inside that classic Italian restaurant with the black and white checkered floors… Anyway, those floors will appear inside Pici, in addition to banquettes, marble tabletops, and a tin ceiling. Overall they want this place to be a cozy spot for a neighborhood lunch or dinner. And if anyone can remember the lack of seating back in Bossa Nova days, J&J have committed to reducing the size of the kitchen to allow for more seating indoors (however, a few seats will also be available on the sidewalk for warmer al fresco nights).
Check out the full article on Eater.com by clicking here: http://la.eater.com/
At the end of a secluded cul-de-sac in Los Angeles, inside her lush, light-filled home, one of Hollywood’s sexiest stars spends a Saturday doing the unthinkable: cooking for a bunch of people on her day off. But for Jessica Alba, whom you’ll next see kicking butt in the action-exploitation flick Machete (Sept. 3), this is far from drudgery. It’s a precious opportunity to play hostess, a role close to her heart. Among those lucky enough to score an invitation to the 29-year-old actress’ private dinner party on August 21 was photographer Jeff Vespa, who captured, exclusively for LIFE, a side of the star she was eager to share: Here, check out Alba, radiant and relaxed, as she shows off her kitchen skills, kicks back with an art book in her living room (pictured), and enjoys the view from what she calls her “woman’s room.”
Check out the full article by clicking here: http://www.life.com/image/first/in-gallery/47701